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CONTACT:
Harris Spylios
Davis/Spylios Management
212-581-5767
dspylios@verizon.net
Performance Reel
ELI JAMES is an actor, writer, songwriter and standup in New York.

His Broadway credits include the National Theatre of Great Britain's "One Man, Two Guvnors," directed by Nicholas Hytner, and Alex Timbers's and Michael Friedman's "Bloody Bloody Andrew Jackson." His solo show "William and the Tradesmen" has been performed at Ars Nova, La Mama, and The Drilling Company. Further stage credits include "Rutherford and Son" and "Temporal Powers" at The Mint, "The Four of Us" at Manhattan Theatre Club, "Becky Shaw" at Boston’s Huntington Theater, and the world premiere of Jason Grote’s "Maria/Stuart," directed by Pam McKinnon. His TV credits include "Gossip Girl," "Lights Out," and "Murder in Manhattan." He co-founded, wrote and performed with the sketch comedy group Quiet Library at The Upright Citizens Brigade Theater, and currently performs with improv team Pleading Softly. His essay "Finding the Beat" was published in the Random House collection "Twentysomething Essays by Twentysomething Writers," a Boston Globe Bestseller.

Friday, December 7, 2007

My first-ever piece for Time Out. Out today.

Need a "chart-icle" writer? I'm now, officially, your man.

This coming to you from none other than the good people at Time Out New York! No, I didn't know what a "chart-icle" was either 'til I wrote one.

Online Version of Eli's Time Out Chart-icle

It's way cooler to look at it in print, but if you want immediate gratification, click away.

It's a graph detailing what might happen if several lesser-known unions went on strike in New York. It was very hard to make union issues funny, I don't know if I succeeded, and the research required nearly killed me.

However, this is a great occasion for me, if for no other reason than I've learned what kind of work goes into a good piece of fluff, how much of what one writes actually makes the article, and how many words get changed by the staff (answer: a lot). Those of you who know me, see if you can guess which jokes are pure Eli, which are pure editor.

But I have absolutely no cause to gripe. My name's in a glossy magazine, and at least two of the jokes remained intact. That's actually a lot when you think about it!

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cheezstake said...
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