Contact:

CONTACT:
Harris Spylios
Davis/Spylios Management
212-581-5767
dspylios@verizon.net
Performance Reel
ELI JAMES is an actor, writer, songwriter and standup in New York.

His Broadway credits include the National Theatre of Great Britain's "One Man, Two Guvnors," directed by Nicholas Hytner, and Alex Timbers's and Michael Friedman's "Bloody Bloody Andrew Jackson." His solo show "William and the Tradesmen" has been performed at Ars Nova, La Mama, and The Drilling Company. Further stage credits include "Rutherford and Son" and "Temporal Powers" at The Mint, "The Four of Us" at Manhattan Theatre Club, "Becky Shaw" at Boston’s Huntington Theater, and the world premiere of Jason Grote’s "Maria/Stuart," directed by Pam McKinnon. His TV credits include "Gossip Girl," "Lights Out," and "Murder in Manhattan." He co-founded, wrote and performed with the sketch comedy group Quiet Library at The Upright Citizens Brigade Theater, and currently performs with improv team Pleading Softly. His essay "Finding the Beat" was published in the Random House collection "Twentysomething Essays by Twentysomething Writers," a Boston Globe Bestseller.

Sunday, May 4, 2008

I Went On.




Oh yes I did, then went on again.

I'm speaking of the ultimate understudy dream... actually going on stage in a plum role in a hit play before hundreds of people.

Well, technically 135 people, but... still. I can now say I've had my Off-Broadway debut in a little gem called "The Four of Us" playing at Manhattan Theatre Club, City Center, in the heart of overpriced-deli-ridden Midtown New York.

And like dear old Shirley MacLaine in days of old, word came at the last second, literally minutes before I was to leave my apartment in Brooklyn. (However, unlike Shirley MacLaine I was not going to the theater to hand in my resignation. Apparently, she was.) In fact, I'd had warning that such a thing MIGHT happen, that one of the actors MIGHT be stuck on a film set out of town. However, by the time the day came, I had completely discounted the possibility. He had a 5am set call, and only one line of dialogue. It was not bound to happen.

But it did. For the matinee. And then it happened again that night.

I don't have a dressing room, but maybe someone should stick a star on my coffee mug or something. Or on the leg of that one chair I tend to sit on in the green room.

1 comment:

cheezstake said...

Nice to see that karma has gone in your favor.