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CONTACT:
Harris Spylios
Davis/Spylios Management
212-581-5767
dspylios@verizon.net
Performance Reel
ELI JAMES is an actor, writer, songwriter and standup in New York.

His Broadway credits include the National Theatre of Great Britain's "One Man, Two Guvnors," directed by Nicholas Hytner, and Alex Timbers's and Michael Friedman's "Bloody Bloody Andrew Jackson." His solo show "William and the Tradesmen" has been performed at Ars Nova, La Mama, and The Drilling Company. Further stage credits include "Rutherford and Son" and "Temporal Powers" at The Mint, "The Four of Us" at Manhattan Theatre Club, "Becky Shaw" at Boston’s Huntington Theater, and the world premiere of Jason Grote’s "Maria/Stuart," directed by Pam McKinnon. His TV credits include "Gossip Girl," "Lights Out," and "Murder in Manhattan." He co-founded, wrote and performed with the sketch comedy group Quiet Library at The Upright Citizens Brigade Theater, and currently performs with improv team Pleading Softly. His essay "Finding the Beat" was published in the Random House collection "Twentysomething Essays by Twentysomething Writers," a Boston Globe Bestseller.

Monday, August 4, 2008

Why I currently hate Washington DC.



I've seen very little of this town since arriving here two weeks ago, but here's why I already hate it: quite simply, because a construction crew armed with jackhammers the size of Civil War statues and drills designed for stimulating seismic waves has stationed itself outside the window of the place where I am temporarily housed on business.

It's right there. Feet from my head, battering at my bad ear with all its might. Every room in the joint.

From 7am to ... let's see it's... 8:30pm now... they've been going. And it's the loudest construction noise I've ever lived next to. Coming from New York City, that's quite a big statement. And I stand by it.

I despise and malign Washington, DC, you capital bastard, and the same goes for this opulent gorgeous apartment I'm stashed in, and whatever urban renewal or busted water main has precipitated the unending shelling of my brain. It is inescapable, and if I know anything about construction jobs, I know that it will still be there tomorrow, and is likely to be there every day for the rest of my stay.

(that's about three weeks.)

Okay, think happy thoughts, think happy thoughts... positive thoughts, The Secret... come on... good vibes...

Okay, got one. I'm here to act in a play. In it I play a beleaguered young artist wrestling with personal demons. Another few weeks of no sleep and I'll have that glazed over, torn down look that will clinch me a Helen Hayes Award.

1 comment:

Gogolgirl said...

Eli! I found your blog looking for theatre reviews online. I just happen to have a super nerdy blog of my own...

(Oh, if you're anywhere near Dupont Circle, Kramer's Books might be a good place to go to get away from the jackhammers. There's also a really good empanadas place near there that's open to like 3 am or something. Unfortunately, I don't think either of those places have beds.)