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Performance Reel
- Eli James
- ELI JAMES is an actor, writer, songwriter and standup in New York.
His Broadway credits include the National Theatre of Great Britain's "One Man, Two Guvnors," directed by Nicholas Hytner, and Alex Timbers's and Michael Friedman's "Bloody Bloody Andrew Jackson." His solo show "William and the Tradesmen" has been performed at Ars Nova, La Mama, and The Drilling Company. Further stage credits include "Rutherford and Son" and "Temporal Powers" at The Mint, "The Four of Us" at Manhattan Theatre Club, "Becky Shaw" at Boston’s Huntington Theater, and the world premiere of Jason Grote’s "Maria/Stuart," directed by Pam McKinnon. His TV credits include "Gossip Girl," "Lights Out," and "Murder in Manhattan." He co-founded, wrote and performed with the sketch comedy group Quiet Library at The Upright Citizens Brigade Theater, and currently performs with improv team Pleading Softly. His essay "Finding the Beat" was published in the Random House collection "Twentysomething Essays by Twentysomething Writers," a Boston Globe Bestseller.
Friday, September 5, 2008
Hello from my Dressing Room
Where, as you can see, the stagehands have been keeping up fairly well with my required daily refreshments, which were specified as always in my contract. (I follow the same pre-show diet utilized by Sir Laurence during his Oedipus at the Old Vic. Cheeseballs, diet soda, and Animal Crackers in a Teddy Grahams container.) Although, as this picture also shows, someone has let the Bubba Cola supply run dangerously low.
Provincial sloppiness. I shall have a word in the morning.
No, you're right, you've guessed it. This is my dressing room, but I am no Sir Larry or Sir Chris Farley. These are the edible props used every day during the performance of "Maria/Stuart." See, because the cast is made up of me and five ladies, I get a dressing room all to myself. There's loads of room to store largely recalled food products.
There's also loads of room to look at myself in four mirrors at once, and wonder which receding image of me is the real me, while fighting back a storm of tears.
There's also room to dance around in my underwear to The Smiths.
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1 comment:
Why do I find myself giggling at the thought of you dancing around your dressing room to Human League?
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